Simplicity 2906, View A
I ordered a petticoat to wear underneath it and don't want to photograph myself in it until I have the petticoat to wear under the skirt. Hopefully it will arrive via FedEx tomorrow!
Tuesday, July 13, 2010
Simplicity Circle Skirt
I whipped this super cute skirt together over the weekend. After becoming so frustrated with the charmeuse satin dress, I needed a quick sewing fix. This was definitely it.
Simplicity 2906, View A
I ordered a petticoat to wear underneath it and don't want to photograph myself in it until I have the petticoat to wear under the skirt. Hopefully it will arrive via FedEx tomorrow!
Simplicity 2906, View A
I ordered a petticoat to wear underneath it and don't want to photograph myself in it until I have the petticoat to wear under the skirt. Hopefully it will arrive via FedEx tomorrow!
Monday, July 12, 2010
McCalls M6011
I spent some time this weekend trying to finish up a few projects that have been languishing in my sewing studio for far too long. This one did *not* get completed.
McCall's M6011, View C
I began this two weeks ago and walked away when I got too frustrated to sew another stitch. I have a love/hate relationship with the fabric. It is a charmeuse satin that is lovely but sooo slippery. I couldn't get the fabric to "be still" even after pinning it within an inch of its life!
I lined it with a thrifted white cotton twin sheet that I purchased for $1. I love using thrifted sheets for my linings. I despise most lining fabrics and really like the idea of, not only recycling the sheet, but also saving my money for "real" fabric. I hoped that the cotton would help with the slipping issue and it did somewhat, but not enough.
I had a really difficult time inserting the sleeves (my least favorite sewing task). And no matter what I tried, I simply could not get the zipper to insert properly. After ripping the zipper out for the third time, I threw the dress against the wall (hence the wrinkled look) and walked away. This dress might get completed before the end of summer - then again I think I may just throw the damned thing in the trash and start over with a better behaved fabric!
McCall's M6011, View C
I began this two weeks ago and walked away when I got too frustrated to sew another stitch. I have a love/hate relationship with the fabric. It is a charmeuse satin that is lovely but sooo slippery. I couldn't get the fabric to "be still" even after pinning it within an inch of its life!
I lined it with a thrifted white cotton twin sheet that I purchased for $1. I love using thrifted sheets for my linings. I despise most lining fabrics and really like the idea of, not only recycling the sheet, but also saving my money for "real" fabric. I hoped that the cotton would help with the slipping issue and it did somewhat, but not enough.
I had a really difficult time inserting the sleeves (my least favorite sewing task). And no matter what I tried, I simply could not get the zipper to insert properly. After ripping the zipper out for the third time, I threw the dress against the wall (hence the wrinkled look) and walked away. This dress might get completed before the end of summer - then again I think I may just throw the damned thing in the trash and start over with a better behaved fabric!
Friday, July 9, 2010
A Signature Scent
When I was *cough* younger, I was perfectly happy using Bath & Body products or the latest celebrity perfume. And I was constantly switching from one scent to another. I had a Multiple Perfume Disorder.
Then I switched to Bvlgari Blv and I have been wearing it for quite some time. Although I like it, I don't love it. The bottle is now almost empty and I have been pondering on a signature scent.
Finding a perfume you love and wearing it regularly can play a big part in creating your signature style. To the people who get near, that scent says "you". My grandma Lucy had a signature scent. Although I have no idea what the name of the fragrance she wore, I do know that it was rose scented and, to this day, I can't smell roses without thinking of her.
That's what I want - a perfume that will be my fragrance calling card. But I also want something unique. Something that isn't worn by every third woman walking down the street. After scouring the local perfume counters, I haven't found my signature scent yet but I'm not giving up. I'll know it when I smell it.
Do you have a signature scent?
Just for fun, if you want to take a quiz on "Your Signature Scent", click the link below.
http://www.lhj.com/lhj/quiz.jsp?quizId=/templatedata/lhj/quiz/data/FragranceQuiz.xml
Then I switched to Bvlgari Blv and I have been wearing it for quite some time. Although I like it, I don't love it. The bottle is now almost empty and I have been pondering on a signature scent.
Finding a perfume you love and wearing it regularly can play a big part in creating your signature style. To the people who get near, that scent says "you". My grandma Lucy had a signature scent. Although I have no idea what the name of the fragrance she wore, I do know that it was rose scented and, to this day, I can't smell roses without thinking of her.
That's what I want - a perfume that will be my fragrance calling card. But I also want something unique. Something that isn't worn by every third woman walking down the street. After scouring the local perfume counters, I haven't found my signature scent yet but I'm not giving up. I'll know it when I smell it.
Do you have a signature scent?
Just for fun, if you want to take a quiz on "Your Signature Scent", click the link below.
http://www.lhj.com/lhj/quiz.jsp?quizId=/templatedata/lhj/quiz/data/FragranceQuiz.xml
Thursday, July 8, 2010
Color Me Confused
A member of a sewing forum I belong to posted a topic about determining her "season" in order to sew clothing in *only* those colors. A few other members immediately began discussing the "Color Me Beautiful" system.
When the CMB system was all the rage, I was a smart-assed teenager who already knew everything so I ignored the entire fad. But now that the subject has come up again, I am intrigued and have been doing some "research" on the subject. Apparently, there are many different factors used when determining your color season.
The first consideration is your skin undertone. Is it cool or warm? My research indicated that the easiest way to determine this is to place your hand on top of a piece of gold fabric and do the same with a piece of silver fabric.
I ran out to the fabric store and purchased 1/4 yard each of gold and silver lame. Yellow undertones indicate a warm undertone. Blue undertones are cool. A person with a warm undertones will look terrible on the silver cloth. Sure enough, the silver gave me "old woman hands" while the gold fabric was a beautiful complement.
I am a "warm".
Next step: are you clear or muted? To discover this, dress in white or hold white paper up to your face. Make sure that your face is free of any makeup. In the most natural light possible, look at your skin. Those with clear undertones have more of a translucent quality to their skin. People with muted undertones find their undertones are softer.
WTF? When I think of transculent skin, I think of a 99 year old woman. And what the hell does a "soft" undertone look like?
*Disclaimer* I completely lifted the following information from answers.yahoo.com
Another good indicator of tone is how easily one tans. If you tan easily, chances are you have a warm tone. If you are at the complete opposite end of the spectrum, unable to tan at all, then you more than likely have a cool tone.
Also, turn your wrist under side up and look at the color of your veins. What color are they? Can the color of your veins be seen? If so they will appear either bluish or greenish in color. This will give you a strong indication of your undertone color. If your veins appear to be bluish in color then you fall into the cool category. This also means your undertone is on the blue or pink side of the color spectrum. Now, if your veins appear green then you fall into the warm category. This usually means your undertone is on the yellow/peach or olive side of the color spectrum.
Okay, so using this criteria, my answers are: I do not tan easily and my veins are blue. So, I have now determined that I am a warm AND a cool. Wonderful!
Yet another helpful tip:
Still having trouble deciding what your tone is? Then take a look at your eye color. If you have blue or green eyes, then there’s a good chance you have a cool tone to your skin. Do you have warm brown eyes, or hazel? Then it’s more likely you have a warm tone.
My eyes are blue/gray. Another indicator of a "cool".
Winter=cool and clear undertones.
Spring=warm and clear undertones.
Summer=cool and muted undertones.
Autumn=warm and muted undertones.
I am still completely lost regarding undertones!
And one final consideration:
Your combination of hair and color will help you in finding your color season.
Winter=Hair is black, dark brown, chestnut, lacking highlights. Eye color tends to span the normal brown, blue, hazel or green. Spring=Hair is golden brown, blond or red and the eyes are blue, blue-gray, green or turquoise green. Summer=Hair is without highlights and is typically ash blonde or ash brown. Eyes are blue, brown, green or hazel. Autumn=Hair is golden and brown, red, auburn or chestnut and eyes are dark brown, hazel or green.
My hair is a dark golden brown and my eyes are a blue/gray. Using these guidelines, I would be a "Warm" "Spring". Does that mean that, by default, I am a "clear" undertone?
When the CMB system was all the rage, I was a smart-assed teenager who already knew everything so I ignored the entire fad. But now that the subject has come up again, I am intrigued and have been doing some "research" on the subject. Apparently, there are many different factors used when determining your color season.
The first consideration is your skin undertone. Is it cool or warm? My research indicated that the easiest way to determine this is to place your hand on top of a piece of gold fabric and do the same with a piece of silver fabric.
I ran out to the fabric store and purchased 1/4 yard each of gold and silver lame. Yellow undertones indicate a warm undertone. Blue undertones are cool. A person with a warm undertones will look terrible on the silver cloth. Sure enough, the silver gave me "old woman hands" while the gold fabric was a beautiful complement.
I am a "warm".
Next step: are you clear or muted? To discover this, dress in white or hold white paper up to your face. Make sure that your face is free of any makeup. In the most natural light possible, look at your skin. Those with clear undertones have more of a translucent quality to their skin. People with muted undertones find their undertones are softer.
WTF? When I think of transculent skin, I think of a 99 year old woman. And what the hell does a "soft" undertone look like?
*Disclaimer* I completely lifted the following information from answers.yahoo.com
Another good indicator of tone is how easily one tans. If you tan easily, chances are you have a warm tone. If you are at the complete opposite end of the spectrum, unable to tan at all, then you more than likely have a cool tone.
Also, turn your wrist under side up and look at the color of your veins. What color are they? Can the color of your veins be seen? If so they will appear either bluish or greenish in color. This will give you a strong indication of your undertone color. If your veins appear to be bluish in color then you fall into the cool category. This also means your undertone is on the blue or pink side of the color spectrum. Now, if your veins appear green then you fall into the warm category. This usually means your undertone is on the yellow/peach or olive side of the color spectrum.
Okay, so using this criteria, my answers are: I do not tan easily and my veins are blue. So, I have now determined that I am a warm AND a cool. Wonderful!
Yet another helpful tip:
Still having trouble deciding what your tone is? Then take a look at your eye color. If you have blue or green eyes, then there’s a good chance you have a cool tone to your skin. Do you have warm brown eyes, or hazel? Then it’s more likely you have a warm tone.
My eyes are blue/gray. Another indicator of a "cool".
Winter=cool and clear undertones.
Spring=warm and clear undertones.
Summer=cool and muted undertones.
Autumn=warm and muted undertones.
I am still completely lost regarding undertones!
And one final consideration:
Your combination of hair and color will help you in finding your color season.
Winter=Hair is black, dark brown, chestnut, lacking highlights. Eye color tends to span the normal brown, blue, hazel or green. Spring=Hair is golden brown, blond or red and the eyes are blue, blue-gray, green or turquoise green. Summer=Hair is without highlights and is typically ash blonde or ash brown. Eyes are blue, brown, green or hazel. Autumn=Hair is golden and brown, red, auburn or chestnut and eyes are dark brown, hazel or green.
My hair is a dark golden brown and my eyes are a blue/gray. Using these guidelines, I would be a "Warm" "Spring". Does that mean that, by default, I am a "clear" undertone?
Wednesday, July 7, 2010
Drafting my Foundation Pattern
I drafted my foundation yesterday evening. It took several attempts before I got it correct but they were all silly mistakes. First I laid the chart on the paper the wrong way. Then I drew the arm and neck curves backwards! I attribute these screw ups to being a little intimidated by this system. Finally, I asked the Politician to read the instructions to me while I drafted and that ended up working out very well. I did need to refer to the illustration several times because the instructions were rather confusing. I used freezer paper from the grocer's to draft on.
My completed foundation pattern.
After I completed the foundation front and back, I was so mentally exhausted that I needed a stiff drink (but settled for a cup of Peppermint tea as the only thing I presently have in the house is the Physician's Scotch - and I won't touch that).
Today, I cut out the bodice and stitched it up. I forgot that the foundation pattern does not include ease and didn't add it to the front as I was cutting the fabric. This made the shoulder seams sit too far back. I pin fitted the bust and waist darts (not photographed) but didn't sew them. I also didn't cut and stitch the skirt because there are so many different amounts of ease in each type. And since the sundress has a full skirt, I doubt there will be any fitting issues with it.
Viewing these photos, it looks like I'm built like a linebacker!
Tomorrow I will draft the pattern for the sundress. I have several nice lengths of fabric in my stash to choose from. I mentioned yesterday that the patterns only show fabric requirements for 36 inch fabric. With math not being one of my strong suits, I found a fabric conversion table here. I was so happy to find a chart to refer to, no need to guess at yardage now.
My completed foundation pattern.
After I completed the foundation front and back, I was so mentally exhausted that I needed a stiff drink (but settled for a cup of Peppermint tea as the only thing I presently have in the house is the Physician's Scotch - and I won't touch that).
Today, I cut out the bodice and stitched it up. I forgot that the foundation pattern does not include ease and didn't add it to the front as I was cutting the fabric. This made the shoulder seams sit too far back. I pin fitted the bust and waist darts (not photographed) but didn't sew them. I also didn't cut and stitch the skirt because there are so many different amounts of ease in each type. And since the sundress has a full skirt, I doubt there will be any fitting issues with it.
Viewing these photos, it looks like I'm built like a linebacker!
Tomorrow I will draft the pattern for the sundress. I have several nice lengths of fabric in my stash to choose from. I mentioned yesterday that the patterns only show fabric requirements for 36 inch fabric. With math not being one of my strong suits, I found a fabric conversion table here. I was so happy to find a chart to refer to, no need to guess at yardage now.
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